介绍：CW出品的一部超英剧，主要讲述的是超人和露易丝结婚后，一边打怪兽一边育娃的家庭故事

介绍：一辆货车行驶在泥泞的乡间小路上，酒保保罗（马特·欧莱瑞 Matt O'Leary 饰）和派对组织者茱莉娅（Jessica Cook 饰）正前往他们的目的地，某个山间别墅别墅所有人波奇妇人（Eve Slatner 饰）每年都会组织派对，请来至交亲朋共同缅怀她去世的丈夫。晴朗的午后，保罗他们有条不紊地布置会场，除了不知从何处而来的马蜂比较讨厌外，其他还都顺利。夜幕降临，宾客相继来到别墅庭院，大家共斟美酒，喜形于色。而就在此时，诡异疯狂的麻风再次出现，它们肆无忌惮袭击在场的每个人，被袭击者受到感染，体内很快诞生出巨大的马蜂怪。　　人们一个接一个倒下，而无情冷酷的杀手正向为数不多的幸存者们逼近……

介绍：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.

介绍：An artist is hired by a nightclub owner to paint a portrait of his beautiful wife. When the artist and wife fall in love, the nightclub owner's jealousy erupts in violence. To save themselves, the lovers are driven to attempt his murder.

介绍：Beloved priest Father Thomasino is murdered in a San Francisco alley, and the police have few clues. But traffic cop Joe Martini becomes obsessed with finding the killer; he suspects Sylvio Malatesta. Ordered off the case, Joe turns in his badge and investigates alone. Soon he is a close friend of the Malatesta family, all delightful people, especially lovely cousin Anna. Uncertain whether Sylvio is guilty or innocent, Joe is now torn between old and new loyalties. Written by Rod Crawford