介绍：曾出品《飞天小女警》《德克斯特实验室》的著名动画制作人Craig McCracken离开卡通频道，加盟迪士尼之后的首部作品《星际漫步》(Wander Over Yonder)，围绕宇宙中一个无忧无虑的流浪者Wander展开Wander与自己的坐骑Sylvia自由自在地生活着，即便想要称霸宇宙的大反派Lord Hater经常四处作恶，破坏各个星球原本平静的秩序，看似什么也不在乎的Wander却总能在不经意间让Lord Hater的阴谋破产。画风怪诞而精致，故事情节和配音也幽默而恰到好处。在不自由的环境下也要努力保持一种自由的心态，也许环境也会因此渐渐发生积极的改变，这大概是创作者想要借此片传递的信息吧。

介绍：一名松露猎手(凯奇饰)独自居住在俄勒冈州的野外，当他心爱的觅食猪被绑架后，他必须前往波特兰，带着自己被抛弃的过往，去拯救那只猪

介绍：Abandoned by his father at the age of five and raised in near isolation by a loving, yet emotionally unstable and over-protective mother, the only life Peel Munter has ever known is within the confines of his childhood home. Upon his mother's unexpected death, 30-year-old Peel is left lost and utterly alone. With no job, family, or friends, he must make a choice; live as his mother did, lonely and unsettled, or change the course of his impending fate by breaking out into the unknown, facing the trials and tribulations of an outside world he doesn't understand. Unable to make the house payments, Peel decides to take in a couple of drifters as roommates. After forging what seems to be a burgeoning new family and brotherhood, one of the roommates betrays Peel's trust, compelling Peel to venture out in search of his long-lost, real brothers who had been taken away from him decades ago. Along the way, Peel's lack of cynicism and innocence has an inadvertent, yet powerful effect on those he meets, as he brings a group of marginalized misfits closer to their true home.

介绍：一名松露猎手(凯奇饰)独自居住在俄勒冈州的野外，当他心爱的觅食猪被绑架后，他必须前往波特兰，带着自己被抛弃的过往，去拯救那只猪

介绍：大概是法国第一部描写女同志的故事片吧　　Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a landmark of lesbian representation. Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.　　French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.