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让我们追随潘乔维亚正片

标签:墨西哥 剧情 

导演:费尔南多·德·福恩特斯

主演:多明戈·索莱尔,阿方索·桑切斯·特略,Paco·Martínez·Paco·Martínez,Antonio·R.·Frausto·Antonio·R.·Frausto,Dolores·Camarillo·Dolores·Camarillo,Rafael·F.·Muñoz·Rafael·F.·Muñoz,Ramón·Vallarino·Ramón·Vallarino,Raúl·de·Anda·Raúl·de·Anda,米格尔·M·德尔加多,西尔维斯特雷·雷维尔塔斯,Carlos·López·Carlos·

介绍:The Mexican Revolution is on its way when six brave peasants, known as "Los Leones de San Pablo", de..

接触(1971)正片

标签:剧情 瑞典 

导演:英格玛·伯格曼

主演:埃利奥特·古尔德,马克斯·冯·叙多夫,毕比·安德松,芭布洛·约尔特·阿夫·奥纳斯,Sheila·Reid,佩尔·舍斯特兰德,Margareta·Byström,Staffan·Hallerstam,Mimmo·Wåhlander,Bengt·Ottekil,Åke·Lindström,Elsa·Ebbesen,Karin·Gry,Aino·Taube

介绍:A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeolog..

红字(1973)正片

标签:剧情 

导演:Wim,Wenders

主演:森塔·贝格尔,汉斯·克里斯蒂安·布勒希,洛乌·卡斯特尔,Yelena,Samarina,Yella,Rottländer,William,Layton,阿尔弗雷多·马约,安赫尔·阿尔瓦雷斯,Laura,Currie,蒂托·加西亚,Lorenzo,Robledo,Rafael,Albaicín,José,Villasante,吕迪格·福格勒,José,Vivó

介绍:故事发生在17世纪中叶的美国,美丽的海丝特(森塔·伯格SentaBerger饰)遵循丈夫罗杰(汉斯·克里斯蒂安·布勒希HansChristianBlech饰)的指示,只身一人来到了一座地处偏远的小镇生活,在这里,海斯特邂逅了名为亚瑟(洛乌·卡斯特尔LouCastel饰)的牧师。海斯特和亚瑟之间产生了非常猛烈的化学反应,可是海斯特碍于自己已婚的身份,而亚瑟亦被自己牧师的职业所束缚,两人间虽然电光火石,但发乎情止于理,都没有进一步的举动。直到有一天,海瑟特得知罗杰在一场海难之中死去了,恢复了自由之身的她对亚瑟的感情终于如同决堤的潮水一般,将所有的理智淹没了。之后,海斯特怀上了亚瑟的孩子,她遭到了逮捕,并冠以通奸罪的罪名,然而为了保全亚瑟,海斯特无论如何也不肯供出孩子父亲的名字

敢死七镖客已完结

标签:动作 

导演:哈拉尔·富兰克林

主演:Jerry,Kwarteng,Fernando,Carrera,Maurice,Nash,Fernando,Corral,Ilker,Kurt,Ender,Atac,Usman,Maqpool,Julia,Mulligan,萨拉-萨拉莫,Santos,Adrián,Sergio,Campos,Alfaro,Marina,Kinski,Maksim,Kolesnichenko,Vladimir,Parkhomchuk,Joan,Ruiz

介绍:阴险的富豪安东尼·莱文雇佣了前军官大卫·盖拉去营救被游击队首领哈维尔·马丁内斯绑架的妻子瓦伦蒂娜大卫在找到瓦伦蒂娜才知道,瓦伦蒂娜与哈维尔原为一对心心相印的恋人,因为安东尼的巧取豪夺而分离。大卫决定帮助瓦伦蒂娜与哈维尔,让他们脱离安东尼远走高飞,事件的进展却并不如想像中的那般顺利。

正片

标签:剧情 

导演:拉希德·努格马诺夫

主演:维克多·崔,Marina,Smirnova,彼得·马莫诺夫,亚历山大·巴希罗夫,Arkhimed,Iskakov,Gennadi,Lyui

介绍:In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park

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