介绍：一名年迈的足球铁粉正视过去的事实，同时奋力为自己和一位年轻的追随者创造截然不同的未来

介绍：上世纪九十年代，南非约翰内斯堡的Hillbrow区拉奇·库内内（瑞普拉纳·赛斐默 Rapulana Seiphemo饰），一位来自南非身无分文的街头混混。出身于贫民窟的拉奇从小就目睹着南非人民遭受的苦难，便立志要逃离这样的窘困之境，改变这一切。于是他从街头的小偷小摸开始起家，在经历了无数的枪战、血腥和暴力之后，成长为约翰内斯堡地区的黑帮老大。然而此时的拉奇正一步步走向罪恶的深渊，他所创建的帝国、他所拥有的生活，终将倒塌。　　由南非导演拉尔夫·齐曼执导的暴力犯罪影片《耶路撒冷》根据真人真事改编。本片于2008年在柏林电影节上首映，取得了观众和影评人的高度评价，并获得了很高的票房成绩。

介绍：在意大利老城，四个女大学生憧憬着她们的未来她们拥有不同的个性，但友谊却非常的牢固。在结伴去贝尔格莱德的一次旅行中，她们认识了一位神秘的新朋友。这次邂逅给她们开启了新的职业规划……

介绍：夜总会、游乐场、霓虹灯五光十色，柬埔寨首都今夜星光灿烂少年波拿离乡到金边新开发豪宅区“钻石岛”打工，挣血汗钱过活。意外重遇多年不见的哥哥，带他骑电单车穿梭大街小巷体验灯红酒绿。波拿告别工地好友和心仪女孩，走进目迷五色花花世界。周戴维（《金映岁月》，36 届）为柬埔寨电影打开一线窗口，写实风格描划社会底层少年成长，借蓝黄光影交错，映照纸醉金迷与坠落颓废的冷暖色温，捕捉年轻生命如何向往美好未来，却恐怕这个璀璨都市光辉到此。

介绍：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.