介绍：杰西一家人都是心怀仁慈的教友信徒，他们的信条是：不能杀人不料美国爆发南北战争，杰西的大儿子乔许为保疆卫土而投入战场，却面临了杀人与否的抉择，杰西爱子心切，决定深入战区探视，却陷入惊心动魄的危机。

介绍：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

介绍：The first story is about Nanda, a young man who leaves Calcutta to work as a postmaster in an isolated malaria-infested village. The postmaster is looked after by a young orphan girl, Ratan. His only solace in the village is in teaching Ratan how to read and write. The second story is about a student, Amulya, who returns to his village after finishing his exams. His widowed mother is very anxious for him to marry, and has already picked out a girl. He rejects his mother's choice and, being forced to choose some girl, marries a lively tomboy who is not ready to give up her freedom.

介绍：故事发生在17世纪中叶的美国，美丽的海丝特（森塔·伯格 Senta Berger 饰）遵循丈夫罗杰（汉斯·克里斯蒂安·布勒希 Hans Christian Blech 饰）的指示，只身一人来到了一座地处偏远的小镇生活，在这里，海斯特邂逅了名为亚瑟（洛乌·卡斯特尔 Lou Castel 饰）的牧师海斯特和亚瑟之间产生了非常猛烈的化学反应，可是海斯特碍于自己已婚的身份，而亚瑟亦被自己牧师的职业所束缚，两人间虽然电光火石，但发乎情止于理，都没有进一步的举动。　　直到有一天，海瑟特得知罗杰在一场海难之中死去了，恢复了自由之身的她对亚瑟的感情终于如同决堤的潮水一般，将所有的理智淹没了。之后，海斯特怀上了亚瑟的孩子，她遭到了逮捕，并冠以通奸罪的罪名，然而为了保全亚瑟，海斯特无论如何也不肯供出孩子父亲的名字。