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流氓战争2更新HD

标签:动作 

导演:麦克·冈瑟

主演:李威尹,Jermaine,Love,Rory,Markham,Bertrand-Xavier,Corbi

介绍:流氓战争三部曲的第二部,丹尼尔已经被俘虏了,现在轮到队员们在他被处死之前找到他了

虎胆龙威4更新HD

标签:动作 惊悚 犯罪 

导演:伦·怀斯曼

主演:布鲁斯·威利斯,蒂莫西·奥利芬特,贾斯汀·朗,李美琪,克利夫·柯蒂斯,乔纳森·萨多斯基,Andrew,Friedman,凯文·史密斯,约戈·康斯坦丁,塞瑞尔·拉菲利,克里斯巴勒莫,玛丽·伊丽莎白·温斯特德,姜成镐,泽利科·伊万内克,克里斯蒂娜·张

介绍:某年7月4日,周末,正在休假的约翰•麦卡伦(布鲁斯•威利斯 饰)接到一个新任务:逮捕黑客马特•法莱尔(贾斯汀•朗 饰),然后送到FBI那里接受审讯  其实,事情并没有看上去那么简单:极端恐怖分子经过周密策划之后,准备利用黑客技术,在美国独立日当天让全美国的计算机系统集体瘫痪,从而达到他们控制全球的阴谋。而且,幕后黑手托马斯•加布里埃尔(提摩西•欧里芬特 饰)为了阻止麦卡伦插手这件事情,为他准备了一大堆机关障碍,其中包括绑架他的女儿露西。  老英雄遇上了新问题,在马特•法莱尔的帮助下,麦卡伦继续“生猛”……

较量更新HD

标签:剧情 

导演:吉图·乔瑟夫

主演:莫哈恩拉,米娜,阿莎·莎拉特,安西芭,艾丝特·阿妮尔,Baiju,V.K.,卡拉巴万·沙约翰,Siddique,Roshan,Basheer,尼拉吉·马达夫,Pradeep,Chandran,Kalabhavan,Haneef,Irshad,Koottickal,Jayachandran,Kunchan,纳拉南·奈尔

介绍:影片前半场,一般幸福家庭生活叙述,与出场人物描述,主角是有线电视营运商,家中成员在一次意想不到的情况下,杀了警政署长的儿子。虽然没有飞天遁地、以一人对抗十人的英雄,但这些叙述都是在为后半场铺陈,缺一不可。请耐住热血,用心看完。   影片后半场,主角如何顽抗警察,如何挽救家庭,宛如上帝般创造了日期,不在场的日期。这一连串的为什么…为什么会这样,…为什么会那样,整个剧情令您离不开沙发,憋尿也要看完知道为什么。   没有帅哥,没有美女,剧情贴近生活,又那么不可思议,看完后,最大的收获是:你又多一位偶像了。   虽然本片网络搜寻的知名度不高。但好片是大家模仿的对象。山寨版的重拍片(Drushyma泰卢固语)7月份已上映。   本片制作成本只有4500万卢比,票房收入却高达5亿印度卢比,成为史上最卖座马拉雅拉姆语影片,上映时间更是突破100天,获奖无数。——印坛字幕

厄尔自助餐厅的女子天团更新HD

标签:剧情 喜剧 

导演:蒂娜·马布里

主演:安洁纽·艾莉丝-泰勒,桑娜·莱瑟,乌佐·阿杜巴,梅奇·费法,朱利安·麦克马洪,沃迪·科蒂斯·霍尔,罗素·霍恩斯比,可亚娜·西蒙妮·辛普森,塔蒂·加布里埃,Abigail,Achiri,泽维尔·米尔斯,Dijon,Cleveland,Berto,Ryan,Paynter,Donna,Biscoe,德娅·迪伊,Renee,Harrison,Tony,Winters,Jason,Turner,Jalen,X.,Mason

介绍:《女子监狱》Uzo Aduba、《恶魔之地》“Hippolyta” Aunjanue Ellis以及刚刚凭借《继承之战》“Lisa”获得艾美奖(剧情类)最佳客串女演员提名的Sanaa Lathan,三人将在探照灯影业的新片《厄尔自助餐厅的女子天团》(The Supremes At Earl's All-You-Can-Eat)组队  本片改编自Edward Kelsey Moore于2013年出版的小说,曾凭借《受诅咒的密西西比》问鼎芝加哥国际电影节的Tina Mabry担任导演,至于《达荷美女战士》和《永生守卫》的Gina Prince-Bythewood则会负责剧本。  故事围绕着“Odette”、“Clarice”以及“Barbara Jean”三人展开,她们相识于高中,成立了叫做“The Supremes”的闺蜜组,如今已经携手了走过了四十多年...

魔鬼的陷阱更新HD

标签:剧情 

导演:法兰提塞·维拉席

主演:Vítezslav,Vejrazka,米罗斯拉夫·马哈切克,Cestmír,Randa,Vít,Olmer,Karla,Chadimová,Vlastimil,Hasek,Frantisek,Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí,Belohoubek,Jirina,Bílá,Monika,Indingerová,Ladislav,Kazda,Milan,Kindl,伊里·弗斯塔拉

介绍:In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.  The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.  As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.  Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.  The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

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