介绍：40岁的警官丹尼尔因爆出暴力殴打新人被停职调查，此后他的网恋对象萨拉不再回复他的消息，他决定开车横跨巴西南北到北方寻找她他把莎拉的照片打印成启事在萨拉的住处到处张贴，这显然是愚蠢的举动，但意外的是当地竟然没有人认识这个女人。直到最后，一个陌生人突然打来电话，说他知道萨拉的下落。

介绍：“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.　　“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.

介绍：约亨沃尔特是德国银行的一名资深投资银行家，与其助手汤姆·斯莱扎克刚刚完成一笔大单庆功会上约亨却突然跳楼自杀。全球范围内有多起银行家自杀的案例的情况下，外界纷纷猜测约亨的自杀原因，甚至有人怀疑是他杀。约亨的妻子对银行推卸责任的说法很不满，称约亨自杀前留下一封遗书，其中有涉及约亨真实死亡原因的银行保单。汤姆对其突然死亡也表示怀疑，天台拍摄到跳楼过程的摄像头也被移走。到底是自杀还是谋杀。

介绍：The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

介绍：13短片合集普优的获得最多笑场，一个流氓知识老头奚落着所有邻国，匈牙利、美国和吉普赛，世界上三大强盗；戈达尔继续着《我们的音乐》讨论shot与shoot以及图片欺骗性；萨拉热窝生长的Aida Begic以士兵肖像嵌入当下城市街景；最感动的是结尾一部，塞族孩子将点球踢飞，跑到穆族墓区寻找。