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十一罗汉已完结

标签:惊悚 犯罪 动作 

导演:史蒂文·索德伯格

主演:乔治·克鲁尼,布拉德·皮特,马特·达蒙,朱莉娅·罗伯茨,安迪·加西亚,卡西·阿弗莱克,伯尼·麦克,秦少波,唐·钱德尔,斯科特·凯恩,埃利奥特·古尔德

介绍:丹尼奥逊(乔治-克鲁尼饰,George Clooney饰)是刚从监狱假释出来的大盗,马上又操起了老本行,这次他的目标是为了盗取赌城富豪泰瑞(安迪•加西亚 Andy Garcia 饰)的一亿五千万金钱泰瑞来头不小,于是丹尼精挑细选了11个高手前来助阵——有扑克天才拉提斯 (布拉德•皮特 Brad Pitt 饰)、爆破专家、扒手大王、杂技演员。精密的盗窃计划开始了。  拉提斯却发现了一个秘密,丹尼的前妻竟然和泰瑞有着不寻常的关系。泰瑞举行一个拳击比赛,那一亿五千万就是比赛的奖金。行动就安排在那一晚,拉斯维加斯的夜晚因为这次周密的盗窃计划波澜起伏。

千人斩已完结

标签:动作 奇幻 武侠 古装 

导演:丁善玺

主演:王祖贤,王羽,陈法蓉,钱小豪,孙亚东,王小凤,午马

介绍:刽子手袁德泰(王羽 饰)手段高强,金刀斩过,人犯尤不知死徒弟二五(钱小豪 饰)与公差等每每看得五体投地。是日,袁德泰斩杀悍匪“鬼八仙”团伙三名成员,几近完成千人斩记录。鬼八仙头目朱七被擒,依法亦当斩,行刑前夜,钟馗之妹(王小凤 饰)拜访袁德泰,请托其失手,以延长朱七痛苦,袁德泰畏惧恶鬼寻仇,将这差事交给二五。行刑时,鬼八仙最后一人——玉残花(王祖贤 饰)伺机营救无果,却决心向袁德泰一家寻仇。当夜,二五被朱七鬼魂附体,幸而袁德泰身手敏捷躲过一劫,袁德泰之女巧银(陈法蓉 饰)为二五驱魔不表。不久,袁德泰自感杀孽深重,转行开酒铺谋生,玉残花混入袁家寻仇,某日钟馗(午马 饰)拜访袁家,拆穿了玉残花真实身份……

千面魔女已完结

标签:动作 犯罪 

导演:郑昌和

主演:金霏,丁红,陈亮,刘亮华,杨志卿,刘群,樊梅生,欧阳莎菲,叶宝琴,顾媚,金雯,潘爱伦,夏仪秋,赵心妍,陈依龄,黄莎莉,虞慧,马影,马伊美,蓝伟烈,范丹

介绍:近日里,一位名为千面魔女的女贼在市里引发了轰动,她的神出鬼没和无处不在让警方伤透了脑筋女探员纪瑛(金霏 饰)负责前面女贼的案子,女记者毛莉(丁红 饰)决定献出一臂之力。她化妆成为千面魔女的样子,请来同行郁达(陈亮 饰)拍摄照片,意在引蛇出洞。哪知道千面魔女奇招尽出,竟然化妆成为了纪瑛的样子,并且顺利的盗走了珠宝,使得纪瑛遭到了警方的通缉。  之后,千面魔女又掳走了纪瑛,当警方找到两人时,她们竟然是一模一样的样貌,分不清究竟谁是女贼谁是警探。最终,正义还是打败了邪恶,当众人解开千面魔女的面具时都震惊了。

卡桑德拉大桥已完结

标签:剧情 动作 惊悚 灾难 

导演:乔治·P·科斯马图斯

主演:索菲娅·罗兰,理查德·哈里斯,马丁·辛,O·J·辛普森,莱昂内尔·斯坦德,安·托克尔,英格丽·图林,李·斯特拉斯伯格,艾娃·加德纳,伯特·兰卡斯特,洛乌·卡斯特尔,约翰·菲利浦·劳,雷·洛夫洛克,阿莉达·瓦利,斯蒂法诺·帕特里兹,托马斯·亨特,福斯塔·阿韦利,安琪拉·古德温,约翰·P·杜拉尼

介绍:《卡桑德拉大桥》是一部英国,意大利和西德联合拍摄的影片,该片的拍摄手法与内容成为此后灾难片的经典模式  恐怖分子闯进了日内瓦的国际卫生组织总部,欲实施恐怖袭击,受到了保安人员的阻击。追捕过程中,警员不小心将实验品鼠疫细菌打碎溅到罪犯身上。一名歹徒当场感染腐烂而死,另一名 窜到一列开往斯特哥尔摩的火车上。病毒感染非常快,整个火车上许多人都给传染上了这种细菌,国际警局为这种鼠疫细菌不传染给其他人,对火车进行控制,不许在任何车站停留,并要将其开到卡桑德拉大桥给毁掉。女作家珍妮弗(索菲娅·罗兰 Sophia Loren 饰)和丈夫张伯伦医生(理查德·哈里斯 Richard Harris 饰)也被卷入。医生通过实验方法使许多人解除细菌,却不被上级相信,只有用自己的方法进行解决,列车上的人们与防化部队发生冲突,人们纷纷拿起武器。众人的命运跟随火车一起驶向未知....

卧龙战警已完结

标签:动作 惊悚 犯罪 

导演:比尔·杜克

主演:劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯

介绍:Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

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