介绍：故事聚焦一位叫丽贝卡的年轻女子，尽管离家多年，她仍然存有童年阴ddd在开关灯的时候，她从来分不清什么是现实、什么是虚假。现在她的弟弟马丁正在经历着与她过去相同的恐怖事件。一个可怕的恶灵实体再度出现，威胁着他们的生活。不过这一次，丽贝卡比任何一次都要接近真相。

介绍：经过20多年，约翰娜返回到她青年时所住的前西德边境的村ccc她30岁初头，非常的迷人也很聪明，她被迫揭开了很早以前改变了她一生的秘密...

介绍：麦克（肯尼思·布拉纳 Kenneth Branagh 饰）是一名私家侦探，一日，一位失去了记忆的女子（艾玛·汤普森 Emma Thompson 饰）向他求助，希望能够通过他的帮助找回自己的身份在催眠大师富兰克林（德里克·雅各比 Derek Jacobi 饰）的催眠之中，女子得知了自己前世的姓名——玛格丽特。　　随着时间的推移，麦克渐渐爱上了善良的失意女子，在一次催眠中，他发现自己的前世竟然就是玛格丽特的丈夫罗曼，而玛格丽特正是死于罗曼之手。随着调查的深入，麦克发现富兰克林亦被卷入了他们纷乱复杂的前世今生之中，而他其实才是杀害玛格丽特的真正凶手。如今，命运让富兰克林和玛格丽特再度重逢，亦将玛格丽特置于了危险之中。

介绍：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.