介绍：Peter Pan enters the nursery of the Darling children and, with the help of fairy dust, leads them off to Never Never Land, where they meet the nefarious Captain Hook.

介绍：马特（凯文·詹森斯 Kevin Janssens 饰）和凯特（欧嘉·柯瑞兰寇 Olga Kurylenko 饰）是一对非常恩爱的夫妻，两人美满的婚姻里唯一的遗憾就是没能够拥有他们爱情的结晶，凯特曾经两度怀孕，都不幸流产了为了缓解意外带来的阴翳，夫妻两人前往一座位于纽约郊区的古宅中度假，让两人没有想到的是，他们在房子里找到了一间被隐藏的密室。　　这是一个拥有神奇魔法的房间，只要你身在房间之中，无论许什么物质方面的愿望 ，都能够实现。利用这个房间，夫妻两人瞬间拥有了很多他们想买但舍不得买的东西，然而，起初了兴奋感平静之后，凯特内心的贪欲开始蠢蠢欲动，她真正想要的“东西”只有一个。

介绍：麻省理工学院的数学教授蓝波在席上公布了一道困难的数学题，却被年轻的清洁工威尔（马特·戴蒙 饰）解了出来可是威尔却是个问题少年，成天和好朋友查克（本·阿弗莱特 饰）等人四处闲逛，打架滋事。当蓝波找到这个天才的时候，他正因为打架袭警被法庭宣判送进看守所。蓝波向法官求情保释，才使他免于牢狱之灾。　　蓝波为了让威尔找到自己的人生目标，不浪费他的数学天赋，请了很多心理学专家为威尔做辅导，但是威尔十分抗拒，专家们都束手无策。无计可施之下，蓝波求助于他大学的好友，心理学教授尚恩（罗宾·威廉姆斯 饰），希望能够帮助威尔打开心房。　　经过蓝波和尚恩的不懈努力，威尔渐渐敞开心胸，而好友查克的一席话，更是让他豁然开朗。

介绍：与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).