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13分钟已完结

标签:剧情 动作 惊悚 

导演:林赛·戈斯琳

主演:索拉·伯奇,艾米·斯马特,帕斯·贝加,安妮·海切,苏菲亚·威希涅瓦,劳拉·斯宾塞,彼得·费辛利,威廉·佩尔茨,特雷斯·阿德金斯,杨希·亚瑞斯,加布里埃尔·雅雷,托卡拉·克利福德,戴维·桑托斯,詹姆斯·奥斯汀·科尔,Ginger,Gilmartin,达里尔·考克斯,Shaylee,Mansfield,Ginifer,Ree

介绍:Four families in a Heartland town are tested in a single day when a tornado hits, forcing paths to cross and redefining the meaning of survival.

一个母亲的复仇已完结

标签:剧情 犯罪 

导演:拉维·德耶瓦尔

主演:诗丽黛玮,阿克夏耶·坎纳,萨佳·阿里,阿德南·西德奎,纳瓦祖丁·席迪圭

介绍:本片改编自震惊印度的“德里黑公交案”艾莉亚(萨佳·阿里 饰)在一次派对活动后遭到强暴,面对凿凿证据,四名罪犯却被法庭判为无罪。艾莉亚的继母,戴维琪(希里黛玉 饰)伤心欲绝,在走投无路后愤然决定亲手为女儿寻求正义。一场高能高智商的复仇大戏拉开序幕。正义到不了的地方,还有母亲!

一个男人和一个女人已完结

标签:剧情 爱情 

导演:克洛德·勒卢什

主演:阿努克·艾梅,让-路易·特兰蒂尼昂,皮埃尔·巴鲁,瓦勒瑞·拉格兰,Antoine,Sire,苏德·阿米多,Henri,Chemin,Yane,Barry,保罗·勒·佩尔松,西蒙娜·帕里斯,Gérard,Sire

介绍:她,Anne Gauthier(阿努克·艾梅 Anouk Aimée 饰)是一个寡妇,独自抚养着她的女儿她是一名电影场记,丈夫是一个特技演员,在拍摄一场戏的时候不幸丧生。她每周都要从Paris去Deauville接送她在Deauville一所学校寄读的女儿。他,Jean-Louis(让-路易斯·特林提格南特 Jean-Louis Trintignant 饰)是一个鳏夫,独自抚养着他的儿子。他是一名赛车手,一场车祸后他的妻子以为他已经丧生而自杀身亡。他每周也要到Deauville去接送他的儿子。有一天,Anne送女儿上学后错过了回巴黎的最后一班火车,因此邂逅了Jean-Louis,Jean-Louis开车送Anne回家,两人约定下周一起去接孩子。下个周日,两人和两个孩子在一起度过了愉快的时光。两个寂寞的男女被彼此所吸引,爱情正在生根发芽。然而,Jean-Louis觉得这段爱情中有些奇怪,而对前夫的思念又让Anne纠结不已......  本片获1967年戛纳电影节金棕榈奖和1968年奥斯卡最佳外语片奖。

不安分的年轻人们已完结

标签:剧情 

导演:马塞尔·卡尔内

主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔

介绍:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

上帝的笔误已完结

标签:悬疑  剧情 

导演:奥里奥尔·保罗

主演:巴巴拉·莱涅,爱德华·费尔南德斯,洛雷托·莫利昂,哈维尔·贝尔特兰,巴勃罗·德尔基,Samuel,Soler,费德里科·阿瓜多,阿德尔法·卡尔沃,Antonio,Buíl,达芬斯·巴尔杜兹,大卫·塞尔瓦斯,Francisco,Javier,Pastor,路易斯·索莱尔,Luis,Sacristán,比森特·贝尔加拉,Txell,Aixendri,,霍安·科洛萨斯

介绍:Alice作为私家调查员伪装成偏执病人进入一家精神病医院来收集关于一个内部人员离奇死亡案件的证据不过她在医院的“疗养”期间所遇到的事情超乎了想象,而她的理智告诉她这一切背后必有文章。一段完全陌生又充满激情的故事即将展现在她面前。本电影改编自Torcuato Luca de Tena同名小说。

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