介绍：在博物馆工作的古生物学家David Huxley（加里·格兰特 Cary Grant 饰）最近春风得意：即将和女友结婚，又千辛万苦得到了一块恐龙骨头，博物馆即将得到一位Random夫人的捐资然而他的好运似乎在遇见Susan Vance（凯瑟琳·赫本 Katharine Hepburn 饰）的那一刻“结束”了。Susan是一个富家女，她的弟弟刚刚从南美洲给她寄回了一头叫“Bbay”的豹子，并让她把豹子带给她的姑妈。Susan坚持认为David是一名动物学家，让他一起把Baby一起送去远在康涅狄格州的姑妈家。一路上两人闹了不少笑话，而到了姑妈家，David发现Susan的姑妈就是Random夫人（May Robson 饰），而Random夫人似乎对David印象不佳，捐资之事岌岌可危；更糟糕的是，那块恐龙骨头似乎和Baby一起失踪了。一方面，爱上了David的Susan正在用尽一切方法阻止David回去和女友结婚，另一方面，David又迫切地想要赶回去，事情正在变得越来越复杂而有趣......　　本片入选美国电影学院评选的一百部经典美国电影。

介绍：一九四九年五月二十七日，经济繁荣、鱼龙混杂的魅力之都浦江市迎来解放在浦江市新政府的号召和带领下，全城人民上下齐心投入新中国的建设，社会局势焕然一新。然而国民党反动派不甘心失败和灭亡，国民党保密局启动了豺狼行动，命令代号为豺和狼的特务秘密潜入浦江，暗中破坏社会秩序，伺机展开针对新政权的阴谋活动。我华东军管会管制的浦江公安局刑侦处副处长郭剑亮临危受命，顶替落网特务打入敌营，调查豺狼计划的幕后主使和行动方案。以郭剑亮为首的我党工作人员奋不顾身地与敌特周旋，最终成功猎豺捕狼，制止了豺狼计划，捍卫了我人民解放军三大战役后的胜利成果，为中华人民共和国的诞生做出了卓越的贡献。

介绍：科尔，一个有抱负的二十多岁的编剧，决定写他迄今为止最雄心勃勃的剧本，策划一个异想天开，他的编剧偶像的女儿谈恋爱，来接近她有名的父亲，好在影视界崭露头角

介绍：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

介绍：Nerdland is an R-rated cartoon comedy about celebrity, excess, and two showbiz nobodies, John (Paul Rudd) and Elliott (Patton Oswalt), with a plan to become famous—or even infamous—by the end of the night.