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绝对保险已完结

标签:喜剧 

导演:贾恩·费斯

主演:詹妮特·海因,杰拉德·亚历山大·海德,Amelie,Kiefer,马克思·雷迈特,阿克塞尔·施泰因,Fred,Stillkrauth,Jürgen,Tonkel,大卫·齐梅尔席德,Sigi,Zimmerschied

介绍:初出茅庐的保险代办员鲁伯特·哈默被派到外省乡村开展业务,他必须在趾高气扬的上司舒尔茨面前证明自己的能力鲁伯特不想示弱,他至少要在漂亮的服务生莱娜面前大显身手。然而这里的居民似乎对保险没多大兴趣,唯独农民奥莉维娅想为父亲买一份人寿保险,这使鲁伯特喜出望外。然而,奥莉维娅的动机并不纯粹,不知不觉间,鲁伯特已陷入一个惊天阴谋中……(小易甫字幕组)

等待古夫曼已完结

标签:喜剧 

导演:克里斯托弗·格斯特

主演:黛博拉·提克,迈克尔·希区柯克,Scott,Williamson,拉里·米勒,唐·雷克

介绍:故事发生在一座名为布莱恩的美国小镇之中,这座小镇已经有150年的历史了,为了庆祝小镇成立150周年,政府委托了当地的一位名叫克莱尔(克里斯多弗·盖斯特 Christopher Guest 饰)的艺术家,将小镇的历史编排成为歌舞剧,于庆典当天在城市剧场上演  很快,克莱尔就在小镇里开始了选角的工作,他所选用的演员,都是扎根在小镇的草根民众,虽然他们并没有经受过专业的表演训练,但他们每个人,都怀揣着这颗挚爱家乡的真挚的心。某日,克莱尔接到来自百老汇的消息,说他们将派出名为古夫曼的男子来现场观看演出,如果古夫曼先生喜欢市民们的表演,那么这场歌舞剧将会得到在百老汇上演的机会。

绅士爱美人已完结

标签:剧情 喜剧 爱情 歌舞 

导演:霍华德·霍克斯

主演:简·拉塞尔,玛丽莲·梦露,查尔斯·科本,埃利奥特·里德,托米·努南,乔治·温斯罗,马塞尔·达里奥,泰勒·霍姆斯,诺玛·威登,史蒂文·杰雷,小哈里·凯瑞,史蒂夫·卡鲁瑟斯,乔治·查金思,让·德尔瓦尔,Howard,Wendell,Eumenio,Blanco,Jack,Boyle,Paul,Bradley,William,Cabanne,Albert,Cavens,Spencer,Chan,Jack,Chefe,John,Close,George,Davis,Jean,De,Briac,Charles,De

介绍:罗丽拉(玛丽莲·梦露 Marilyn Monroe 饰)和桃乐西(简·拉塞尔 Jane Russell 饰)是舞台上的好搭档,生活中的好伙伴艳光四射的两人走在一起,吸引了无数男人的目光,然而,她们并非空有一副好皮囊,论智商,罗丽拉和桃乐西可不输给任何人。  某日,罗丽拉登上了驶往法国的轮船,前去和情人艾仕文(埃利奥特·里德 Elliott Reid 饰)结婚,在船上,两人遇见了一名为古斯(托米·努南 Tommy Noonan 饰)的男子。原来,古斯是艾仕文父亲派来的私家侦探,为的是考验罗丽拉对自己儿子的真心。随着时间的推移,桃乐西竟然慢慢爱上了善良的古斯,但罗丽拉很显然帮自己的好闺蜜相中了另一位“金龟婿”。

终有一天已完结

标签:喜剧 犯罪 

导演:克里斯多夫·莫利斯

主演:安娜·肯德里克,迈尔斯·罗宾斯,凯万·诺瓦克,Malcolm,M.,Mays,小柯蒂斯·库克,丹妮埃拉·布鲁克斯,丹尼斯·欧哈拉,亚当·大卫·汤普森,詹姆斯·阿多米安,穆萨·克拉许,佩吉·瓦哈达特,德鲁·盖林,罗德尼·理查森,吉姆·加菲根,Michael,Braun,Marchánt,Davis,Andrel,McPherson,Calah,Lane

介绍:安娜·肯德里克加盟克里斯多夫·莫利斯([四头狮子])执导的未定名喜剧卡司包括凯万·诺瓦克、丹尼尔·布鲁克斯、丹尼斯·欧哈拉等。新片剧情目前暂未透露,据悉肯德里克在片场以FBI探员造型亮相。See-Saw Films、Archer Gray Productions联合制作。影片已在佛罗里达、多米尼加开机拍摄。

纽约夜月情已完结

标签:喜剧 爱情 

导演:沃伦·莱特

主演:Matthew,Broderick,Jeanne,Tripplehorn,Tim,Guinee

介绍:Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'  By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.  Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.  One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.  While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.  Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

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